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                    [post_content] => The exhibition <em>The Medium is the Medium is the Medium </em>presents works by media artist P. Mansaram and thinks through the artist’s decades-long practice of repetition. For Mansaram, repetition is art practice, repetition is meditation, repetition is spirituality, repetition is falling in love, and as he says, repetition is a way to finding god. Strategically using recurrence and reproduction through a variety of medium including drawing, painting, collage, text, sculpture, xerox, silkscreen printmaking, and film, Mansaram’s work invokes unending feelings of travel: through time, dimension and territory.

Spanning more than five decades, the selection of works highlights both material and spiritual elements from the artists’ surroundings and everyday life–including characters, symbols and spaces–to convey the artist’s meditative and transcendent processes in both form and content. In that regard, the ways in which Mansaram assembles different media and creates a sense of place present the viewer with a nuanced narrative of the diasporic experience.

Over the past decade, SAVAC has presented Mansaram’s work in several group programs and we are delighted to be able to shine a spotlight on his long career in this solo exhibition. Continuously tinkering with old works in response to contemporary shifts, Mansaram holds the rare ability of keeping an ever-evolving artistic practice that is both timely and germane.

Mansaram was born in 1934 in Mt. Abu, Rajasthan, India and studied at the Sir J. J. School of Art. Shortly after studying at the Rijks Academie in Amsterdam, he migrated to Canada in 1966. In 2016, the ROM acquired over 700 pieces from the artist’s archive reflecting over 50 years of his work.

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<h4><a href="https://artmuseum.utoronto.ca/program/opening-reception-winter-2019-exhibitions/">Opening Reception</a></h4>
Saturday, February 2, 2019, 5-7pm
University of Toronto Art Centre

Extended exhibition hours from 7pm – 12am at the Justina M. Barnicke Gallery and the University of Toronto Art Centre for the <a href="https://artmuseum.utoronto.ca/program/night-of-ideas-2019/">Night of Ideas</a>.
<h4><a href="https://artmuseum.utoronto.ca/program/guided-meditation-workshop-with-taryn-diamond/">Guided Meditation Workshop with Taryn Diamond</a></h4>
Monday, February 11, 2019, 6pm
Justina M. Barnicke Gallery
<h4><a href="https://artmuseum.utoronto.ca/program/curatorial-tour-with-indu-vashist-and-toleen-touq/">Curatorial Tour with Indu Vashist and Toleen Touq</a></h4>
Date to be announced
Justina M. Barnicke Gallery
<h4><a href="https://artmuseum.utoronto.ca/program/artist-talk-p-mansaram/">Artist Talk with P. Mansaram</a></h4>
Saturday, March 16, 2019, 1pm
Justina M. Barnicke Gallery
<h4><a href="https://artmuseum.utoronto.ca/program/drop-in-guided-tours/">Drop In Guided Tours</a></h4>
Weekly, beginning February 8, 2019
Meet at the University of Toronto Art Centre
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council and Toronto Arts Council.

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                    [post_title] => Hyphenated Lives (Ti- kor)
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                    [post_content] => <img class="alignnone wp-image-18972 size-full" src="http://artmuseum.utoronto.ca/wp-content/uploads/2018/10/2018-Vision-Exchange-0696-Bharti-Kher-photography-Charles-Cousins.jpg" alt="" width="992" height="685" />
                    [post_title] => Points of Departure
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                    [post_content] => <img class="alignnone wp-image-18968 size-full" src="http://artmuseum.utoronto.ca/wp-content/uploads/2018/10/Dodiya-lightbox.jpg" alt="Atul Dodiya" width="992" height="684" />
                    [post_title] => Alighting from the train, New Delhi, 1940s
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                    [post_title] => the cartographer’s mistake: the Radcliffe Line
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                    [post_content] => <p class="p1"><i>Vision Exchange</i> presents the work of 20 internationally recognized artists based in India and Canada. The exhibition takes its title from Akbar Padamsee’s “Vision Exchange Workshop” (VIEW), initiated in Delhi and Bombay from 1969 until 1972 to promote interdisciplinary collaboration amongst painters, sculptors, photographers, writers and filmmakers and engage with the international avant-garde.</p>
Three overlapping tenets inform the exhibition: the reframing of historical narratives from non-Western perspectives; the foregrounding of issues of sovereignty, shifting borders and relationships with the land; as well as themes of exile, migration and diasporic realities. These interweaving curatorial interests were not established in advance, but rather discovered through rich encounters with the artists and artworks, and the perspectives they share. In the original spirit of VIEW, these perspectives are offered to foster a multifaceted dialogue, international in scope, rooted in histories of place, as these continue to resonate sharply in the present.

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<h4><a href="https://artmuseum.utoronto.ca/program/opening-reception-winter-2019-exhibitions/">Opening Reception</a></h4>
Saturday, February 2, 2019, 5-7pm
University of Toronto Art Centre

Extended exhibition hours from 7pm – 12am at the Justina M. Barnicke Gallery and the University of Toronto Art Centre for the <a href="https://artmuseum.utoronto.ca/program/night-of-ideas-2019/">Night of Ideas</a>.
<h4><a href="https://artmuseum.utoronto.ca/program/curators-tour-with-dr-deepali-dewan/">Curator's Tour with Dr. Deepali Dewan</a></h4>
Wednesday, March 20, 2019, The time will be confirmed shortly!
University of Toronto Art Centre
<h4><a href="https://artmuseum.utoronto.ca/program/drop-in-guided-tours/">Drop In Guided Tours</a></h4>
Weekly, beginning February 8, 2019
Meet at the University of Toronto Art Centre

&nbsp;

<em>Vision Exchange: Perspectives from India to Canada</em> is organized by the Art Gallery of Alberta and the National Gallery of Canada as part of the NGC@AGA exhibition series, curated by Catherine Crowston and Jonathan Shaughnessy.  Presented with the assistance of Chemould Prescott Road (Mumbai), Galerie Mirchandani + Steinruecke (Mumbai) and Nature Morte (New Delhi).

<em>Perspectives croisées : de l’Inde au Canada</em> est organisée par l’Art Gallery of Alberta et le Musée des beaux-arts du Canada dans le cadre de la série NGC@AGA, sous le commissariat de Catherine Crowston et Jonathan Shaughnessy. Présentée avec la collaboration des Chemould Prescott Road (Mumbai), galeries Mirchandani + Steinruecke (Mumbai) et Nature Morte (New Delhi).
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council and Toronto Arts Council.

[/format]
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                    [post_date] => 2018-10-24 14:22:50
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                    [post_content] => <img class="alignnone wp-image-18935 size-full" src="http://artmuseum.utoronto.ca/wp-content/uploads/2018/10/NAT_Couzino_lightbox.jpg" alt="National Winner, Clara Couzino" width="922" height="1383" />
                    [post_title] => National Winner
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                    [post_name] => national-winner-clara-couzino
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                    [post_content] => This exhibition showcases the winning submissions of the 16th annual BMO 1st Art! competition. The thirteen artists featured are recent graduates of postsecondary art programs from every province and territory who have been honoured for their talent and exceptional accomplishments. Their inspiring works provide a glimpse into the remarkable range of media and expression being explored by today’s undergrads. They also represent the promise and excitement of Canada’s newest generation of artists.
<p class="region"><strong>National Winner</strong>
Clara Couzino (Concordia University)</p>
<p class="artist">Max Keene (University of Alberta)
Phoebe Huang (Simon Fraser University)
Jimmie Kilpatrick (Brandon University)
Sylvan Hamburger (Mount Allison University)
Emma Burry (Grenfell Campus, Memorial University of Newfoundland)
Rodney MacMullin (Nova Scotia College of Art &amp; Design University)
Greg Morgan (Nunavut Arctic College)
Josi Smit (OCAD University)
Paul Atwood (Holland College)
Sarah Madgin (Université du Québec à Montréal)
Amber Agarand (University of Regina)
Christopher Dufour (Yukon School of Visual Arts)</p>
For more information, please visit <a href="https://1start.bmo.com/" target="_blank" rel="noopener">1stArt.bmo.com</a>

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[/format]
                    [post_title] => BMO 1ST ART! 2018
                    [post_excerpt] => This exhibition showcases the winning submissions of the 16th annual BMO 1st Art! competition. 
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                    [post_date] => 2018-08-20 16:37:23
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                    [post_content] => For its centennial celebrations in 2019, Hart House is commissioning a major, permanent artwork by an Indigenous artist to transform its historic Great Hall. One step towards redressing settler colonial narratives, this permanent commission seeks to acknowledge the history, narratives and people who came before us; to honour the land upon which we live and work today; and to imagine other possible futures for current and future generations, from an Indigenous perspective. 

With guidance and input from Indigenous voices and other members of the University community, a jury of Indigenous artists and curators has selected a short list of artists from across Canada to submit proposals for the reimagining of the monumental northern wall in the Great Hall. Encouraging an open and imaginative approach to the site, the invited artists have been asked to take into consideration the histories of place, settler and Indigenous relations, present-day realities, and/or the potential for social and cultural change. Above all, the artists have been invited to exceed the centenary aspect of commemoration and to re-imagine Hart House as a place where the ever-present vestiges of its colonial past are disrupted and as a place where everyone will find welcome and unique ways to connect with each other and with the broader world. 

In October this year, following a review process involving input from Indigenous Elders, knowledge keepers, and select stakeholders of Hart House, the jury will choose a finalist from the proposals presented in this exhibition. Overseen and implemented by the Art Museum at the University of Toronto, of which Hart House is a founding member, the completed work will be unveiled on November 12, 2019 during a gala celebration to mark Hart House’s 100th Anniversary.

Proposals by: Rebecca Belmore and Osvaldo Yero (RBOY inc.), Hannah Claus, Faye Heavyshield, Ursula Johnson in collaboration with Maria Hupfield, Amy Malbeuf, Nadia Myre, Tannis Nielsen, Shelley Niro, Travis Shilling

About Hart House: On November 11, 2019, Hart House will reach a historic milestone with the 100th anniversary of Vincent Massey’s extraordinary gift of the building to the students of the University of Toronto. More than just a physical space, Hart House continues to play a pivotal role as a diverse and inclusive gathering place that fosters the enhancement of the student experience, on all three campuses, through the provision of opportunities to engage with wellness, arts, and dialogue with a focus on preparing students for their futures as citizens of the world.

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<h4>Opening Reception</a></h4>
Wednesday, September 5, 2018, 6-8pm
Hart House Quad

<h4>Our Supporters</h4>
We gratefully acknowledge the operating support from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council. Additional Centennial Commission individual support has been provided by Edward G. Thompson. 
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	<p class="date">December 1, 1975&ndash;December 1, 1999</p>
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