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                    [post_title] => A Prop for Reconciliation (Jughead)
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                    [post_content] => Drawing from the tradition of institutional critique, <em>ArtiFACTS of Belief</em> challenges visitors’ notions of the authority and objective knowledge presented by the museum.

Presented through the personal collection of Charles Denison Aldridge, an affluent Victorian gentleman, this exhibition invites questions about the trustworthiness of the traditional display methods used in natural history museums. 
 
An archetypical collector, Charles Denison Aldridge’s fascination with the natural world led him to the four corners of the globe in search of unusual and unbelievable specimens. This unique natural history collection includes zoological and geological specimens as well as extraordinary skeletons.

The presentation of these specimens within the constructed narrative of this collector, challenges our perception of natural history displays. 

<em>ArtiFACTS of Belief</em> reveals the questions that remain prevalent within museum practice: how are artifacts valued, what is objective knowledge and who has authority?

This exhibition is produced as part of the requirements for the Faculty of Information, Museum Studies Program degree at the University of Toronto.

[format style="serif-text"]
<h4>Opening Reception</h4>
Tuesday February 23, 2010, 6-9pm
University of Toronto Art Centre
[/format]
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                    [post_content] => <em>Work in Process</em> is an exploration of artistic and curatorial processes through a transparent lens, bringing the visitor into the equation. By providing in-depth artist statements and studio visit documentation, an opportunity is created for individuals to reach a personal connection and deeper understanding of the art itself. The ‘Processing Area’ provides a space to sit, watch, read and reflect while being provided with the means to document one’s own thought process.

This exhibition is produced as part of the requirements for the Faculty of Information, Museum Studies Program degree at the University of Toronto.

[format style="serif-text"]
<h4>Opening Reception</h4>
March 3, 2011, 6-9pm
University of Toronto Art Centre
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                    [post_content] => Jointly curated by students in the Faculty of Information Master of Museum Studies program and the Faculty of Law at the University of Toronto. The exhibition ran from February 9 – 23, 2012, and featured a fundraiser opening, a student reception, musical performance, and curatorial tour. The exhibition team from the Faculty of Information consisted of seven students: Stephanie Butland, Gillian Gallimore, Rumin Jehangir, Shannon Linde, Rachel Meloche, Erika Smith, and Haley Smith; the Faculty of Law team was made up of six students who are also the editorial board of Rights Review, the journal of the International Human Rights Program (IHRP). The team was lead by two law faculty advisors, Renu Mandhane (Director of the IHRP), and Jennifer Orange, and former University of Toronto Museum Studies professor, Jennifer Carter.

The mission of this exhibition was to celebrate the twenty-fifth anniversary of the IHRP by showcasing the transformations in human rights law through the lens of IHRP student internships. The exhibition focused on four human rights issues in which IHRP interns have made significant contributions: Refugee Rights (RR), International Criminal Law (ICL), Corporate Accountability (CA), and Gender-Based Violence (GBV). The exhibit also looked to the future with a section on the Next 25 Years. These topics were narrated in five spatially driven installations and included photographs from the past 25 years of internships. The photographs communicated the intern’s experience and visualized the issues, while each space contextualized the topic. Text panels were implemented to discuss the developments within each topic along with a physical and digital timeline and map, which honoured the work of 300 interns since the program’s inception in 1987. The exhibition’s final outcome is a result of the decision process stemming from challenges related to the broad target audience of professional lawyers, as well as law, museum studies, and general university students. In addition, financial resources, limited photograph choices, resolution of the photography collection, and the nature of the exhibition space all had an effect on the exhibition. These challenges, brought to the forefront during the planning process led to changes from the project’s original proposal.

[format style="serif-text"]
<h4><a href="https://artmuseum.utoronto.ca/program/opening-reception-transformative-human-rights-25-years-field/">Opening Reception</a></h4>
Thursday, February 9, 2012, 6:30-9pm
University of Toronto Art Centre
                    [post_title] => Transformative Human Rights: 25 Years in the Field
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                    [post_content] => <img class="alignnone size-full wp-image-18541" src="http://artmuseum.utoronto.ca/wp-content/uploads/2018/06/2018_Islands_light2.jpg" alt="" width="992" height="1019" />
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                    [post_date] => 2018-06-19 16:28:20
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                    [post_content] => Works in this exhibition consider islands for their ecology, history, changes, memories, personal significance, sounds, stories, encounters…

Islands are circumferentially isolated spaces and places which offer us theoretical platforms by which perspectives can be reassessed. The artworks in the exhibition all generously practice attentiveness, and provide methodologies for thinking, learning, seeing, listening, sharing, connecting, and remembering. Following the principles of rhizomatic propagation, ideas, once insular, can break off to develop, through currents and drifts, into vast webs of associations.

<em>Island[s]</em> aims to offer an ideal context for interpretive potential. The artists carefully contemplate and reconsider these places or systems through creative processes such as drawing, writing, poetry, sound, video, and installation. Creative writings by the curator offer a web of interpretive possibilities, making overtures to the personal interests, memories, and experiences of visitors to add in their own narrative threads.

This exhibition is produced as part of the requirements for the MVS degree in Curatorial Studies at the John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto.

[format style="serif-text"]
<h4><a href="https://artmuseum.utoronto.ca/program/opening-reception-islands/">Opening Reception</a></h4>
Wednesday, July 25, 2018, 6-8pm
Justina M. Barnicke Gallery
<h4><a href="https://artmuseum.utoronto.ca/program/curatorial-tour-islands/">Curatorial Tour</a></h4>
Saturday, July 28th, 2018, 2pm
Justina M. Barnicke Gallery
<h4>Readings</h4>
Wednesdays, between 5-8pm
Saturdays, between Noon-5pm
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council, Toronto Arts Council, with additional project support from TD Insurance, and the University of Guelph School of Environmental Sciences.

[/format]
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                    [post_title] =>  WE CALL
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                    [post_title] => Things Are Looking Native, Native’s Looking Whiter
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