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                    [post_content] => Works in this exhibition consider islands for their ecology, history, changes, memories, personal significance, sounds, stories, encounters…

Islands are circumferentially isolated spaces and places which offer us theoretical platforms by which perspectives can be reassessed. The artworks in the exhibition all generously practice attentiveness, and provide methodologies for thinking, learning, seeing, listening, sharing, connecting, and remembering. Following the principles of rhizomatic propagation, ideas, once insular, can break off to develop, through currents and drifts, into vast webs of associations.

<em>Island[s]</em> aims to offer an ideal context for interpretive potential. The artists carefully contemplate and reconsider these places or systems through creative processes such as drawing, writing, poetry, sound, video, and installation. Creative writings by the curator offer a web of interpretive possibilities, making overtures to the personal interests, memories, and experiences of visitors to add in their own narrative threads.

This exhibition is produced as part of the requirements for the MVS degree in Curatorial Studies at the John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto.

[format style="serif-text"]
<h4><a href="https://artmuseum.utoronto.ca/program/opening-reception-islands/">Opening Reception</a></h4>
Wednesday, July 25, 2018, 6-8pm
Justina M. Barnicke Gallery
<h4><a href="https://artmuseum.utoronto.ca/program/curatorial-tour-islands/">Curatorial Tour</a></h4>
Saturday, July 28th, 2018, 2pm
Justina M. Barnicke Gallery
<h4>Readings</h4>
Wednesdays, between 5-8pm
Saturdays, between Noon-5pm
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council, Toronto Arts Council, with additional project support from TD Insurance, and the University of Guelph School of Environmental Sciences.

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                    [post_title] =>  WE CALL
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                    [post_title] => Things Are Looking Native, Native’s Looking Whiter
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                    [post_content] => History, like all stories, is told slant, subject to distortion by those with the power to represent it. In the telling, certain characters are foregrounded and certain power dynamics are obscured, leaving certain other characters—their perspectives and experiences—cast out of this immortal glow. And yet, it seems that aesthetic practices bear a specific capacity to transform the sediment of history into something moving once again, to puncture what seems solid, to redirect the light.

The capacity for artworks to provoke this kind of shift is often tied to their ability to conjure visceral and intuitive responses that percolate through the viewer, from a change in mood or disposition, to an evolving understanding of the relation between actors, objects and society. Philosopher and artist David Garneau has coined the term “extra-rational aesthetic action” to describe the possibilities that reside in encounter with works of this sort. Drawing upon Garneau’s study, the Art Museum’s new exhibition considers how the extra-rational capacities of art can support interruptions of history such that new kinds of stories become possible to tell.

The title of the exhibition, <em>I continue to shape</em>, references an observation of participating artist Nicholas Galanin’s, that contemporary Indigenous cultures, like all other cultures, exist on a continuum of change based on engagements with others and in dialogue with land. The “I” of <em>I continue to shape</em> is both the artist’s subjectivity bearing upon the world, as much as it is the “I” of the viewer, coming to terms with how else to understand their role in upholding or dismantling the structures we have inherited, and how they are capable of shaping personal and cultural relationships.

<em>I continue to shape</em> looks to the practices of artists as a means of working toward futures otherwise. By challenging colonial habits and tending to the labour that such re-orientation implies, these artists envision expanded aesthetic and political narratives, alternative forms of community building and belonging, and propose survival strategies up to the tasks at hand in shaping a world more tender, more just and more unsettled than the world we have now.

[format style="serif-text"]
<h4>Additional Exhibition Resources</h4>
<a href="http://artmuseum.utoronto.ca/wp-content/uploads/2018/06/Icontinue_Brochure_150dpi-spreads.pdf" target="_blank" rel="noopener">Exhibition Brochure</a>
<a href="http://artmuseum.utoronto.ca/wp-content/uploads/2018/06/I-continue-to-shape_Educators-Guide.pdf" target="_blank" rel="noopener">Educator's Guide</a>
<a href="http://artmuseum.utoronto.ca/wp-content/uploads/2018/06/ICTS-exhibition-documentation-2018.pdf" target="_blank" rel="noopener">Exhibition Documentation</a>
<h4><a href="https://artmuseum.utoronto.ca/program/opening-reception-i-continue-to-shape/">Opening Reception</a></h4>
Wednesday, September 5, 2018, 6-8pm
With performance by Charlene Vickers, 7pm
Hart House Quad
<h4><a href="https://artmuseum.utoronto.ca/program/activation-for-all-of-us/">Activation: for all of us</a></h4>
A choreographic score with furniture/objects by Justine Chambers
Saturday, September 8, 2018, 2pm
Featuring Justine Chambers
University of Toronto Art Centre
<h4>Conversation</h4>
Saturday, September 8, 2018, 3pm
Featuring Justine Chambers, cheyanne turions and Charlene Vickers
University of Toronto Art Centre
<h4><a href="https://artmuseum.utoronto.ca/program/activation-for-all-of-us/">Activation: for all of us</a></h4>
Featuring Jessica Karuhanga
Wednesday, October 3, 2018, 6pm
University of Toronto Art Centre
<h4><a href="https://artmuseum.utoronto.ca/program/curatorial-tour-cheyanne-turions/">Curatorial Tour</a></h4>
With cheyanne turions
Saturday, October 20, 2018, 2pm
University of Toronto Art Centre
<h4><a href="https://artmuseum.utoronto.ca/program/workshop-with-maria-thereza-alves-and-lisa-myers/">Workshop</a></h4>
With Maria Thereza Alves and Lisa Myers
Monday, October 22, 2018, 6:30pm
Alvez and Myers will lead this participatory workshop that will draw upon shared concerns in their practices such as the importance of conviviality and convening as research methodologies, and a belief in the capacity of art to tend to diverse cultural narratives and practices. Capacity is limited. <a href="https://bit.ly/2BJvVB1">Registration</a> is required.
<h4><a href="https://artmuseum.utoronto.ca/program/activation-for-all-of-us/">Activation: for all of us</a></h4>
Featuring Deanna Bowen
Friday, October 26, 2018, 2pm
University of Toronto Art Centre
<h4><a href="https://artmuseum.utoronto.ca/program/activation-for-all-of-us/">Activation: for all of us</a></h4>
Featuring Ame Henderson
Wednesday, November 21, 2018, 6pm
University of Toronto Art Centre
<h4><a href="https://artmuseum.utoronto.ca/program/we-call-discussion-and-project-space/">WE CALL: Discussion and Project Space</a></h4>
Hold your next class discussion within the context of the Truth &amp; Reconciliation Commission of Canada (TRC) at our current exhibition.
<h4>Drop-In Tours</h4>
Every Friday, 2pm
University of Toronto Art Centre
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council and Toronto Arts Council.

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                    [post_content] => Water is fundamental for all of life: it can also be understood as an emotional, elemental or spiritual home. For artists, a growing interest in water is connected to the urgencies of visualizing the changes occurring in bodies of water, the element which has become one of the most urgent, visceral and ethically fraught sites of political and theoretical inquiry. Exhibitions which gather up artworks responding to the aqueous come quite literally in waves. What does it mean to mount an exhibition which attends to bodies of water at a time when climatic catastrophe ripples through the hydrosphere? How might artistic research and interdisciplinary collaboration reveal our entanglement with a more-than-human world?

Stories, knowledges and representations help us to make sense of the world. They are able to do so through the foregrounding or backgrounding of different aspects of a phenomenon. Elizabeth Grosz suggests that “concepts do not solve problems that events generate for us” but “they enable us to surround ourselves with possibilities for being otherwise”¹. Investigating an elemental metaphor as a cultural producer carries the potential for being otherwise — the exhibition Learning from the Lake seeks to explore these possibilities, conjuring certain kinds of ethical relations with water and watery others.

¹ Grosz, Elizabeth. Becoming Undone: Darwinian Reflections of Life, Politics and Art. Durham: Duke University Press, 2011: 78.

This exhibition is produced as part of the requirements for the MVS degree in Curatorial Studies at the John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto.

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<h4>Opening Reception</h4>
Wednesday, June 13, 2018, 6-8pm
Justina M. Barnicke Gallery
<h4>Shoreline Cleanup: Humber River</h4>
Saturday, June 16, 2018, 2pm
This is a registered cleanup with The Great Canadian Shoreline Cleanup.
Meeting point: East side of the Humber Bay Arch Bridge.
<h4>Swimming Lessons: Astrida Neimanis and Beth Stuart</h4>
Wednesday, June 27, 2018, 10:30pm
Registration required for this performative colloquium
<a href="https://tickets.harthouse.ca/Online/default.asp?BOparam::WScontent::loadArticle::permalink=event-ms&BOparam::WScontent::loadArticle::context_id=86AD21D0-7D5E-4AC0-BE38-4178403519D6">Register Here</a>
Hart House Pool
<h4>Jordyn Stewart: Trails</h4>
Wednesday, July 4, 2018, 7pm
Artist Jordyn Stewart will lead a guided hike from the Art Museum to the Lake Ontario shoreline.
Justina M. Barnicke Gallery
<h4>Curatorial Tour: Katie Lawson</h4>
Saturday, July 7th, 2018, 2pm
Justina M. Barnicke Gallery
<h4>Watersheds: An Expanded Reading Room</h4>
Ongoing
With contributions from: Gina Badger, Diane Borsato, Tiziana La Melia, Maryse Larivière, Leisure Projects (Meredith Carruthers + Susannah Wesley), Tegan Moore, Aubyn O’ Grady, Jaclyn Quaresma, Jordyn Stewart, and the Synthetic Collective.
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council, Toronto Arts Council, with additional project support from TD Insurance.

—
Title Image: Kelly Jazvac, <em>Salp</em>, Salvaged adhesive vinyl, steel and chip clips, 2012.
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						<li><a href="?v=archive&y=2009">2009</a></li>
						<li><a href="?v=archive&y=2008">2008</a></li>
						<li><a href="?v=archive&y=2007">2007</a></li>
						<li><a href="?v=archive&y=2006">2006</a></li>
						<li><a href="?v=archive&y=2005">2005</a></li>
						<li><a href="?v=archive&y=2004">2004</a></li>
						<li><a href="?v=archive&y=2003">2003</a></li>
						<li><a href="?v=archive&y=2002">2002</a></li>
						<li><a href="?v=archive&y=2001">2001</a></li>
						<li><a href="?v=archive&y=2000">2000</a></li>
						<li><a href="?v=archive&y=pre-2000">Pre-2000</a></li>
		</ul>
	</div>
	
	<div id="exhibition-12841" class="exhibition item past year-2016  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/form-follows-fiction-art-artists-toronto/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/11/2016_FFF_i_2-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="" />	<h3 class="item-title">Form Follows Fiction: Art and Artists in Toronto</h3>
	<p class="date">September 6, 2016&ndash;December 10, 2016</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-1344" class="exhibition item past year-2016  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/counterpoints-photography-lens-toronto-collections/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/04/2016_counterpoints_Index-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Christopher Williams, Cutaway model Switar 25mm f1.4 AR. Glass, wood and brass. Photography by the Douglas M. Parker Studio, Glendale, California, November, 17, 2007–November 30, 2007, 2008. Gelatin silver print. Collection of Phil Lind&quot;" />	<h3 class="item-title">Counterpoints: Photography Through the Lens of Toronto Collections</h3>
	<p class="date">May 6, 2016&ndash;July 30, 2016</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-1059" class="exhibition item past year-2016  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/2016-university-toronto-mvs-studio-program-graduating-exhibition/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/04/2016_MVS_studio_Index-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Fraser McCallum, Come Live With Us, 2016. Still from HD Video. 21:00 min&quot;" />	<h3 class="item-title">2016 University of Toronto MVS Studio Program Graduating Exhibition</h3>
	<p class="date">March 18, 2016&ndash;April 9, 2016</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-7569" class="exhibition item past year-2016  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/university-toronto-shelley-peterson-student-art-exhibition-3/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/07/2016_Peterson_secondary1-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Dahyun Nam, Girl with a Pearl Earring, 2015. Acrylic on canvas. 96 x 80 cm. Courtesy of the artist&quot;" />	<h3 class="item-title">University of Toronto Shelley Peterson Student Art Exhibition</h3>
	<p class="date">March 18, 2016&ndash;April 9, 2016</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-14866" class="exhibition item past year-2016  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/rehearsal-objects-lie-table/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/12/2016_Objects_i-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="" />	<h3 class="item-title">Rehearsal for Objects Lie on a Table</h3>
	<p class="date">March 18, 2016&ndash;April 30, 2016</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-23" class="exhibition item past year-2016  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/showroom/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/02/2016_Showroom_i2-300x300.jpeg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Laurel Woodcock, Skyline, 2013. Blue neon. Courtesy of the artist and MKG12&quot;" />	<h3 class="item-title">Showroom</h3>
	<p class="date">January 21, 2016&ndash;March 5, 2016</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-120" class="exhibition item past year-2015  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/rocks-stones-and-dust/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/03/2015_RSD_Index-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Lucy Tasseor Tutsweetok, Mother with Children, late 1970s to early 1990s. Carved stone. Courtesy of Feheley Fine Arts&quot;" />	<h3 class="item-title">Rocks, Stones, and Dust</h3>
	<p class="date">October 28, 2015&ndash;December 18, 2015</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-170" class="exhibition item past year-2015  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/bmo-1st-art-exhibition/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/05/2015_BMO-1st-Art-Exhibition_Index-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Svea Ferguson, Alberta College of Art &amp; Design, Future Classic, Linoleum flooring, 97 x 71 x 13 cm&quot;" />	<h3 class="item-title">BMO 1st Art! Exhibition</h3>
	<p class="date">October 22, 2015&ndash;December 18, 2015</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-12241" class="exhibition item past year-2015  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/scotiabank-nuit-blanche-2015/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/11/2015_Nuitblanche_i-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="" />	<h3 class="item-title">Scotiabank Nuit Blanche 2015</h3>
	<p class="date">October 3, 2015</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-171" class="exhibition item past year-2015 year-2016 ">
	<a href="https://artmuseum.utoronto.ca/exhibition/talking-back-otherwise/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/03/img_exhibition_sample4-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Nicole Kelly Westman, from the series Inherited Narratives, 2014&quot;" />	<h3 class="item-title">Talking Back, Otherwise</h3>
	<p class="date">September 16, 2015&ndash;June 30, 2016</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-1051" class="exhibition item past year-2015  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/on-location/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/07/2015-Location_i-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Robin Collyer, Rosedale Valley Rd, log, 2008. Colour print on paper. 102 x 127 cm&quot;" />	<h3 class="item-title">On Location: Selections from the Hart House and University of Toronto Art Collections</h3>
	<p class="date">September 8, 2015&ndash;November 14, 2015</p>
	</a>
		</div><!-- /.exhibition -->
		<div id="exhibition-1046" class="exhibition item past year-2015  ">
	<a href="https://artmuseum.utoronto.ca/exhibition/the-flesh-of-the-world/">
	<img width="300" height="300" src="https://artmuseum.utoronto.ca/wp-content/uploads/2016/04/2015_JMB_The-Flesh-of-the-World_Index-300x300.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="&quot;Installation view of The Flesh of the World, 2015. Image credit: Toni Hafkenscheid&quot;" />	<h3 class="item-title">The Flesh of the World</h3>
	<p class="date">June 25, 2015&ndash;October 10, 2015</p>
	</a>
		</div><!-- /.exhibition -->
		<p class="year-selector-error">There were no exhibitions during that year.</p>
		<div class="post-navigation"><p><a href="https://artmuseum.utoronto.ca/exhibitions/page/2/?v=archive" >Newer Exhibitions</a> | <a href="https://artmuseum.utoronto.ca/exhibitions/page/4/?v=archive" >Older Exhibitions</a></p></div>
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fb_IMG_sections.each(function(){jQuery(this).find(fb_IMG_select).attr('rel','gallery-'+fb_IMG_sections.index(this));});
jQuery('a.fancybox,area.fancybox,li.fancybox a').each(function(){jQuery(this).fancybox(jQuery.extend({},fb_opts,{'transitionIn':'elastic','easingIn':'easeOutBack','transitionOut':'elastic','easingOut':'easeInBack','opacity':false,'hideOnContentClick':false,'titleShow':false,'titlePosition':'over','titleFromAlt':false,'showNavArrows':true,'enableKeyboardNav':true,'cyclic':false,'onClosed':function() { jQuery('#fancybox-wrap').hover(function() {}, function() {}); },'onCleanup':function() { window.clearTimeout(fb_timeout); }}))});
/* YouTube */
jQuery('a.fancybox-youtube,area.fancybox-youtube,li.fancybox-youtube a').each(function(){jQuery(this).fancybox(jQuery.extend({},fb_opts,{'type':'iframe','width':640,'height':360,'keepRatio':1,'titleShow':false,'titlePosition':'float','titleFromAlt':true,'onStart':function(a,i,o){var splitOn=a[i].href.indexOf("?");var urlParms=(splitOn>-1)?a[i].href.substring(splitOn):"";o.allowfullscreen=(urlParms.indexOf("fs=0")>-1)?false:true;o.href=a[i].href.replace(/https?:\/\/(?:www\.)?youtu(?:\.be\/([^\?]+)\??|be\.com\/watch\?(.*(?=v=))v=([^&]+))(.*)/gi,"https://www.youtube.com/embed/$1$3?$2$4&autoplay=1");}}))});
/* Vimeo */
jQuery('a.fancybox-vimeo,area.fancybox-vimeo,li.fancybox-vimeo a').each(function(){jQuery(this).fancybox(jQuery.extend({},fb_opts,{'type':'iframe','width':500,'height':281,'keepRatio':1,'titleShow':false,'titlePosition':'float','titleFromAlt':true,'onStart':function(a,i,o){var splitOn=a[i].href.indexOf("?");var urlParms=(splitOn>-1)?a[i].href.substring(splitOn):"";o.allowfullscreen=(urlParms.indexOf("fullscreen=0")>-1)?false:true;o.href=a[i].href.replace(/https?:\/\/(?:www\.)?vimeo\.com\/([0-9]+)\??(.*)/gi,"https://player.vimeo.com/video/$1?$2&autoplay=1");}}))});};
jQuery('a.fancybox-close').on('click',function(e){e.preventDefault();jQuery.fancybox.close()});
};
var easy_fancybox_auto=function(){setTimeout(function(){jQuery('#fancybox-auto').trigger('click')},1000);};
jQuery(easy_fancybox_handler);jQuery(document).on('post-load',easy_fancybox_handler);
jQuery(easy_fancybox_auto);
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