Contemporary Art Bus Tour: Art Museum to The Blackwood — Winter 2025
Saturday, February 8
12pm–4pm
Spots are limited! Please register on Eventbrite by Thursday, February 7 at 5pm.
Join the Art Museum and the Blackwood Gallery for a contemporary art bus tour! The program begins at the Art Museum at noon with a tour of Labour led by Curator of Programs, Drea Asibey. From there, the bus departs for the Blackwood Gallery for tours of The Art Gallery Problem, led by curator Fraser McCallum, and In a Manner of Speaking, led by curator Karie Liao. The bus then returns to the Art Museum at 4pm.
Detailed itinerary:
- 12pm: Tour at Art Museum (Justina M. Barnicke Gallery, 7 Hart House Circle)
- 1pm: Bus departure from Downtown Toronto to Mississauga
- 2pm: Curator-led tours at The Blackwood (3359 Mississauga Road)
- 3pm: Bus returns to Art Museum (Justina M. Barnicke Gallery, 7 Hart House Circle), ETA: 4pm
The event is free and all are welcome.
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ART MUSEUM, UNIVERSITY OF TORONTO
Natalie Asumeng, La Tanya S. Autry, Tony Cokes, Chantal Gibson, Tanya Lukin Linklater, Kosisochukwu Nnebe, Leanne Betasamosake Simpson and Martine Syms
September 4, 2024–March 22, 2025
Curated by Ingrid Jones
Inspired by Claudia Rankine’s scholarship on microaggressions in Citizen: An American Lyric and themes of perceptibility, Labour seeks to unveil the invisible labour of the colonized. The exhibition challenges societal racial biases through the lens of Blackness and Indigeneity, exploring, among other concerns, how unseen labour might be unburdened and shifted onto the dominant. The evocative works in this exhibition examine white supremacy’s manifestation in institutional power paradigms and its corrosive effects on Black and Indigenous people and people of colour. In so doing, this exhibition operationalizes and reveals unseen labour while activating alternative teachings from Black and Indigenous perspectives.
BLACKWOOD GALLERY, UNIVERSITY OF TORONTO MISSISSAUGA
Nikita Gale, Maïder Fortuné & Annie MacDonell, Matt Nish-Lapidus, Karthik Pandian, Paolo Patelli & Giuditta Vendrame, Jeremy Toussaint-Baptiste
January 8–March 5, 2025
Curated by Fraser McCallum
The “art gallery problem” is a well-known math problem with a simple premise: what is the minimum number of guards or surveillance cameras necessary to observe an entire gallery? Across different layouts and floorplans, the art gallery problem challenges math students to achieve full surveillance of a space using the minimum labour or technology. The problem is not put to use by major museums and galleries, despite replicating their standard practices for monitoring facilities. Even so, it remains a dominant understanding of art’s presentation. This exhibition appropriates the art gallery problem as a framework to consider how objects and bodies are put to work in galleries and museums. The “problem” is in fact not singular: there is far more to the presentation of art than the securitization of objects; there are problems of narrative, representation, hegemony, and access to knowledge.
Scott Benesiinaabandan, Emily Cook, People Who Stutter Create (Jia Bin, Delicia Daniels, JJJJJerome Ellis, Conor Foran, Kristel Kubart), Wieteke Heldens, Seo Hye Lee, Logan MacDonald, S. Proski, RA Walden
January 8–June 30, 2025
Curated by Karie Liao
In a Manner of Speaking (IMS) explores the longing to be understood, interrogating the limitations of language and the inadequacies of culturally dominant vocabularies. Structured like a book—a medium for sharing information and ideas—this three-part exhibition animates four outdoor lightboxes. Across three chapters, reading, speaking, and listening emerge as acts of invention and reinvention, shaped by diverse lived experiences. Artists reimagine communication, challenge colonial and ableist linguistic norms, and illuminate the intersections of identity, access, and expression. This tour highlights Chapter One: Encounter and Negotiation (January 8–March 4, 2025), which considers how relationships and environments are formed, experienced, and adapted. It features work by Emily Cook, Seo Hye Lee, Logan MacDonald, and RA Walden.
Visit the Labour exhibition page, and The Art Gallery Problem and In a Manner of Speaking webpages on the Blackwood website for full program descriptions and artist bios.
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Accessibility notes: While all stops on the tour are accessible and free of physical barriers, we regret that the shuttle bus is not accessible.
The Labour tour will take place at the Justina M. Barnicke Gallery, located inside Hart House. The accessible entrance to the gallery is through the Tower Road entrance of Hart House. The exhibition features unobstructed pathways. When not already available within the exhibition, seating is available upon request at the front desk. Accessible washrooms are located on the main floor outside of the Great Hall and in the Hart House Theatre lobby. A Universal Washroom is also located on the basement level, outside the Arbor Room.
The Art Museum is continually working towards improving accessibility to our museum spaces, exhibitions, and programs. If you require support in planning your visit, need further details about the visiting experience, or would like to provide access feedback, please contact Melody Lu, Operations Assistant, at mel.lu@utoronto.ca or 416-978-8017.
The Art Gallery Problem and In a Manner of Speaking tours will begin at the Blackwood Gallery, which is a physically accessible space. The Blackwood Gallery is located in room 140, on the ground floor of the the Kaneff Centre/Innovation Complex, which includes open spaces, round sloped corners, and windows to facilitate visual communication and navigation. Accessible multi-user gendered washrooms are located at ground level.
Some movement throughout the campus will be required—ramps and curb cuts are in place. Please note part of the tour will be in an unpaved area a short distance from a paved walking trail. Its surface is hard-packed mulch. For more details, download a printable map of the exhibition sites on campus.
If you have questions about accessibility or have specific access needs, please contact a Blackwood Gallery staff member at blackwood.gallery@utoronto.ca or 905-828-3789.
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Labour is supported by the Canada Council for the Arts, Cinema Studies Institute, and Toronto Biennial of Art.
The Art Gallery Problem is supported by the University of Toronto Mississauga, Canada Council for the Arts, the Ontario Arts Council, Jackman Humanities Institute, Instituta Italiano di Cultura, and Mondriaan Fund.
In a Manner of Speaking is supported by the University of Toronto Mississauga, Canada Council for the Arts, and the Ontario Arts Council.
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Images (clockwise from left): From Labour: (1) Tanya Lukin Linklater, Scores for Deep, Tender Rest, 2022–24 and Natalie Asumeng, Eban and Pressed Garden, 2024. Installation view: Labour, Justina M. Barnicke Gallery, September 4, 2024–March 22, 2025. Photo: Toni Hafkenscheid, courtesy of the Art Museum at the University of Toronto. (2) Martine Syms, Intro to Threat Modeling, 2017. Installation view: Labour, Justina M. Barnicke Gallery, September 4, 2024–March 22, 2025. Photo: Toni Hafkenscheid, courtesy of the Art Museum at the University of Toronto. From The Art Gallery Problem: (3) Maïder Fortuné & Annie MacDonell, The Bird and the Cup, 2014. Courtesy the artists. (4) RA Walden, access points // or // alternative states of matter(ing), 2023, originally commissioned by Storm King Art Center. Photo by: Adela Goldsmith, courtesy of the artist and Storm King Art Center.