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                    [post_title] => Saw All the Mirrors on the Planet (and None of Them Reflected Me), (from The Eye Can’t See Itself)
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                    [post_title] => Local Void #2 (from Darkness Is the Light That Has Not yet Reached Us)
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                    [post_content] => <em>“and I am the curator of this show<sup>1</sup>” </em>is the title of this exhibition. It is also a quote from Kate Fowle’s opening remarks at a roundtable (NSK Embassy Moscow Revisited, Garage Museum of Contemporary Art, Moscow, August 1, 2014). Her statement simply referred to the exhibition in which the roundtable took place. But, what is this statement? What does it mean to claim authorship, or rather curatorship, over an exhibition? What does it mean to take, to enact or to be given this position? What does it mean to invite artists, artworks or objects into an institution, into an exhibition? What does it mean to “be” the “curator” of that show? With this exhibition, I am not trying to answer those questions but rather to ask them again. To ask them again, with Sophie Bélair Clément, Walter Benjamin, and an exhibition structure. I hope that this invitation finds you well.

[format style="serif-text"]
<h4><a href="http://artmuseum.utoronto.ca/program/joint-opening-reception/">Opening Reception</a></h4>
Friday March 23, 2018, 7-9pm
University of Toronto Art Centre
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council with additional project support from TD Insurance.
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                    [post_title] => The Knot
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                    [post_content] => <em>The University of Toronto Shelley Peterson Student Art Exhibition</em> showcases the talent and excellence of undergraduates in the University of Toronto’s tri-campus visual studies programs. The selected works demonstrate quality of artistry across multiple media, as well as depth and sophistication of thought in approaching complex concepts and issues. Through themes of identity, family, home and the body, these emerging artists address political issues and explore personal subjects that speak to universal human experiences.

[format style="serif-text"]
<h4>2018 Award Winners</h4>
Maria Patricia Abuel
Anran Guo
Lara Hassani
<h4><a href="http://artmuseum.utoronto.ca/program/joint-opening-reception/">Opening Reception</a></h4>
Friday March 23, 2018, 7-9pm
University of Toronto Art Centre
<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts, the Ontario Arts Council with additional project support from the Office of the Vice-President &amp; Provost, Manulife and the University of Toronto Faculty of Information.
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                    [post_title] => Timber Limits
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                    [post_title] => (Anti-fascist) Karaoke
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                    [post_title] => Time Reckoning
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                    [post_title] => Prizes of Fairyland
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                    [post_date] => 2018-02-20 16:13:49
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                    [post_content] => The Art Museum at the University of Toronto is pleased to exhibit the graduating projects of the 2017 Master of Visual Studies graduate students Rouzbeh Akhbari, Sam Cotter, Andrea Creamer and Noah Scheinman.

Produced in the shadow of Canada’s controversial 150th anniversary, this year’s graduate students directed their attention to historically based research that critiques our ideas of nationalism.  Rouzbeh Akhbari’s hallucinogenic narrative investigates the serpentine history of the petrochemical industry within ancient chimeric forces. Sam Cotter considers the parallax views of mechanized transport / mechanized time via the Canadian railway engineer who was also the inventor of international time zones.  Andrea Creamer paired her karaoke bar of 1980s Toronto punk music videos and video art alongside a community reading room. Noah Scheinman investigated Canada’s historic national park Algonquin by complicating the myth of the natural and resource extraction.  The exhibition is accompanied with a catalogue with essays by Swapnaa Tamhane and a foreword by Visual Studies program director Charles Stankievech.

                                                 
<strong>Rouzbeh Akhbari</strong> is a Tehran-born artist whose practice is research-driven, often interventionist in approach and situated at the intersections of postcolonial theory, cultural economies and critical architecture. Akhbari has co-authored a book chapter for <em>Unsettling Colonial Modernity</em>, as well as contributions to <em>Prefix Photo</em>, <em>LEAP Magazine</em>, <em>Society+Spac</em>e and MIT’s upcoming <em>Projections 13</em>.

<strong>Sam Cotter</strong> is a Toronto-based artist and writer whose practice exists at the intersection of research, text, and image. Cotter regularly employs photography, film, and installation to examine issues of visual representation and artifice. Central to the construction of all of his projects is an embedded documentary element mediated through a self-reflexive filter. Sam is represented by Zalucky Contemporary.

<strong>Andrea Creamer</strong> is an interdisciplinary artist and community organizer currently residing in Toronto. Her works investigate spaces of contestation, counterpublics, and notions of site-specificity. Often articulated in the form of text, painting, sculpture or video, her material practice reflects on forms of protest, the mechanisms that produce social spaces, and the ephemeral and always shifting character of socially-based practices.

<strong>Noah Scheinman</strong> is a visual artist, designer, and writer. His work combines a background in architecture and urban design with an emergent language of sculpture, installation, collage, photography, and video. Current research is focused on the relationship between form, site, and the political economies that drive material and geographic transformations.

This exhibition is produced as part of the requirements for the MVS degree in Visual Studies at the John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto.

[format style="serif-text"]
<h4><a href="http://artmuseum.utoronto.ca/program/joint-opening-reception/">Opening Reception</a></h4>
Friday March 23, 2018, 7-9pm
University of Toronto Art Centre

</h4>No News Is Good News</h4>
Saturday, March 24, 2018, 2-4pm
Saturday, April 7, 2018, 2-4pm 
West Galleries, Art Museum 

<h4><a href="http://artmuseum.utoronto.ca/program/anti-fascist-karaoke-lounge-party/">(Anti-Fascist) Karaoke Lounge Party</a></h4>
Friday, April 20, 2018, 8pm
Tranzac Club (292 Brunswick Ave) 

<h4>Our Supporters</h4>
We gratefully acknowledge operating support from the Canada Council for the Arts and the Ontario Arts Council, with additional project support from The Valerie Jean Griffiths Student Exhibitions Fund in Memory of William, Elva and Elizabeth.
[/format]
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