Plastic Heart: Surface All the Way Through
Plastic Heart is an experimental exhibition that examines plastic as art material, cultural object, geologic process, petrochemical product, and a synthetic substance fully entangled with the human body. The exhibition includes new commissions, historical and contemporary artworks that relate to plastic as a politically loaded material, and investigations into the paradoxes of plastic conservation in museum collections. The exhibition acknowledges plastics as both lubricants of artistic, gallery, and museum practices and also as ‘wicked problems,’ made even more complex by their use and discard in the COVID-19 pandemic.
Plastic Heart mobilizes practices of institutional critique and proposes an alternative method of exhibition development and presentation that addresses ecology and sustainability in content and form. Seeking to stimulate viewers to be active subjects, the exhibition challenges received modes of art-making and viewing that are deeply dependent on fossil fuels. It also features data visualizations of a study conducted by the Synthetic Collective that provides a first-ever snapshot of post-industrial microplastics pollution on the shores of the Great Lakes. This exhibition links scientific and artistic methodologies to show how arts-based approaches to thinking and working can make viable contributions to environmental science and activism.
Wednesday, September 15, 6pm–7:30pm EDT
With Mark Fisher, Vanessa Gray, Michelle Murphy, and Chelsea Rochman, with moderator Heather Davis
Wednesday, October 6, 6pm–7:30pm EDT
With Ian Arturo, Dr. Sara Belontz, Tegan Moore, Mary Mattingly, and Alice (Xia) Zhu, with moderator Kelly Jazvac
Dialogue 3: The Plastic Conservation Conundrum: Preserving Plastics in Museum Collections and Plastics’ Durability in the Environment
Wednesday, October 13, 6pm–7:30pm EDT
With Courtney Asztalos, Roger Griffith, Sherry Phillips, and Dr. Lorena Rios Mendoza, with moderator Kelly Jazvac
Wednesday, October 27, 2pm–3:30pm EDT
With Suzanne Carte, Maya Ishizawa, and Sarah Sutton, with moderator Kirsty Robertson
We gratefully acknowledge the operating support from the Canada Council for the Arts, the Toronto Arts Council, and the Ontario Arts Council, with additional project support from the Social Sciences and Humanities Research Council and the Jackman Humanities Institute.